Even If Not A Salman Khan Fan, Watch. Cast: Salman Khan, Sohail Khan, Zhu Zhu, Matin Rey Tangu, Mohammed Zeeshan Ayyub, Om Puri. Director: Kabir Khan. Rating: 3 stars (out of 5)The year is 1. A war is raging on the border with China. The male protagonist of Tubelight befriends a Chinese boy. Turns out that the latter is every inch an Indian.

1. Pirates of the Caribbean 5 Telugu Watch Pirates of the Caribbean 5 Telugu Full Movie at Todaypk.lol - Captain Jack Sparrow is pursued by an old rival, Captain Salazar.
2. Bodyguard is a 2011 Indian action romantic comedy film co written and directed by Siddique. It is a remake of the director's own 2010 Malayalam film of the same name.

But the hero is still unconvinced. Watch Criminal Minds Season 7 Episode 19 here. If you are an Indian, chant Bharat mata ki jai, he demands. The boy complies. His shout, much louder and shriller than the man's, scatters a herd of sheep.

Movietv4u - Watch Movies Free Online. Watch movies online free without sign up. Stream movies and tv series free online. Download movies online free in HD quality.

Find movie reviews and ratings of new Indian movies, Bollywood movies, Hindi and english films this week, recent movies by critics from Hindustan Times. · · The movie story deals with a Pakistani Archaeologist Dr. M. Alam Siddiqui after seeking permission from the Government of Pakistan starts researching about.

I shouted louder, so I am more Indian than you are," he pipes up. It is apparent what Tubelight is driving at. This politically loaded exchange defines the spirit of writer- director Kabir Khan's new film, a less than perfect anti- war fable that hits home with considerable force because it dares to raise a rational, if tangential, voice in this era of unbridled jingoism. Faith may or may not move mountains, but when Salman Khan personifies innocent self- belief in the guise of a pure- at- heart man child, strides into the world in the time of war and swims against the tide of hate- filled hysteria, it can definitely power a potential blockbuster like nothing else can. Enthused by the megastar's redoubtable box- office clout, Tubelight breaks the parameters of conventional Bollywood male bravado and presents a vulnerable but gallant protagonist who lets his heart lead him through the complexities of the world around him.

Tubelight, which sputters to life only intermittently, has a simple plot centered on the plight of two brothers separated by the advent of war and of sundry other innocent victims of military conflict. It taps into basic human emotions and employs unabashedly unsubtle narrative means to allow the superstar to have a field day. Salman does just that. Exaggerated melodrama, however, occasionally dims the glow of the natural born peacenik's flights of fancy fuelled in part by a magician (Shah Rukh Khan in a special cameo). Tubelight draws upon the Biblical reference to the power of "faith as small as a mustard seed". But there is nothing small about our hero: coiled up within him is the might of an entire mustard field - and then some.

In a world facing an onslaught of hatred and prejudice, who better to restore sanity than a fearless simpleton whose mind has no room for cynicism or doubt? He applies the simplest of principles to resolve the most complex of problems. The outcome of his efforts is entirely predictable. But that isn't likely to take anything away from the immense mass appeal that Salman's donning of a 'different' screen persona brings to the equation. Tubelight Movie Review: Salman Khan in a film still. Writer- director Kabir Khan locates his third Salman Khan vehicle in five years in a quaint town up in the hills of northern India.

The tranquility of the place is at a complete remove from the today's cow belt din over social and sectarian fissures. The period setting of this drama of brotherly bonding and undying hope is even more distant from the fractious times we live in. For good measure, Tubelight has a Chinese lead actress (Zhu Zhu) in the role of a woman who is as much of a hapless victim of war as anyone else in these parts would have been during those tumultuous times.

The melodrama derives much of its strength from the fact that it is a well- timed take on the horrors of war and the dangers of collective bellicosity, misdirected masculinity and competitive chest- thumping. Tubelight Movie Review: Salman Khan and Zhu Zhu in a film still. In Kabir Khan's Bajrangi Bhaijaan, to which Tubelight is a sort of companion piece, Salman was a God- fearing do- gooder who had to surmount his ingrained biases to bring himself do what was right. Here, he goes further down the path of unsullied decency and turns into a guileless, gloriously gullible man who believes whole- heartedly in the ideals Gandhian co- existence, to which he is introduced by an uncle (Om Puri) who has raised him and his brother.

In the manner of Pawan Kumar Chaturvedi 'Bajrangi', Laxman Singh Bisht, the hero of Tubelight, sets out to achieve what, to more analytical minds, would be utterly foolhardy. The incorruptible man is driven by unalloyed conviction, but he has to reckon with barriers of both mind and geography to attain what he seeks. Notwithstanding its subtext, Tubelight is an all- out commercial Hindi film designed primarily for Salman Khan's fan base, It goes all out to conjure up a world in which one man's firm belief in love and amity offsets the ill wind that blows his way in the form of a war that he desperately wants to see the end of so that his younger brother, Bharat Bisht (Salman's real- life sibling Sohail Khan), can return home in one piece.

Salman lisps a quick prelude to Laxman's life at the outset, letting us know how school bullies sneered at him for being congenitally slow- witted. Meri maa kehti thhi English tubelight ki tarah mera bheja bhi English hai, joh bhi aata hai dhire dhire aata hai, he says. Jal jaa, Jal jaa," his classmates yell at him. But when a younger brother (played as an adult by a beefed- up Sohail Khan) comes along and begins to stand up for him, Laxman's tormentors back off. Cut to the present. Laxman's carefree days are disrupted when tension rises on the border, the threat of war looms large and Kumaon Regiment recruiters arrive to look for able- bodied young men for the army.

Laxman flunks the test, but Bharat is selected. The sibling has to leave for the battlefront. Laxman's world crashes around him. The hero of Little Boy, a Hollywood flop to which Tubelight owes a debt in terms of basic plot details, was an eight- year- old boy. Tubelight replaces him with a grown- up man who is a child at heart.

One might dismiss this as a patchy, star- driven reworking of a rather insipid film but for the pacific message and the contemporary resonance dovetailed into its overtly simplistic construct. Tubelight is at its brightest when debutant Matin Rey Tangu, playing the boy who bonds with the hero despite the latter's initial reservations, is on the screen. He is a consummate scene- stealer. Watch Making The Rules HIGH Quality Definitons. Watch Demon Tongue Youtube'>Watch Demon Tongue Youtube. Zhu Zhu, as his mother, makes the most of the limited opportunities the screenplay gives her.

Tubelight Movie Review: Salman Khan and Matin Rey Tangu in a film still. Its shine might be inconsistent, but when Tubelight does achieve full wattage, which is frequently enough to stand out, it does light up the screen. Watch it even if you aren't a Salman Khan fan. Tubelight does much more than just entertain.

Haseena Parkar Movie Review: It is an utterly exhausting watch'Haseena Parkar' - Movie Review. U/A; Biopic. Director: Apoorva Lakhia. Cast: Shraddha Kapoor, Ankur Bhatia, Siddhant Kapoor. Rating: One would probably fall short of words while explaining how pointless is 'Haseena Parkar', the latest movie by Apoorva Lakhia, starring Shraddha Kapoor.

Besides being an utterly exhausting watch, the movie is dull and completely devoid of perspective. Biopics, in my opinion, are either made to pay tribute to the subject or make an example of their misdeeds. Crime dramas usually take the latter route, spicing up the narrative with thrill and grit, for the purpose of entertainment. Lakhia's gangster drama is a rather superficial fare which allows you to dig nothing about Haseena Aapa. The film unfolds as a courtroom drama with Haseena (played by Shraddha) taking us through her journey - a childhood spent in the burqa, modest upbringing, love for her brother, a cocooned marriage that ends on a bloody note and how a simpleton turned into Mumbai's most revered femme don. That's a lot of good material you'd say but despite sitting through all of it, one wouldn't ever know who she really was. It's Lakhia's failure that he never tries to bring on screen the human being his muse was.

Since the film focuses hard on the 1. Mumbai blast case being a turning point in her life, we don't really find out any crude or unheard of details either. Neither do we get the chance to map her transformation from a timid, quivering young girl to a lethal outlaw. Her first fist- fight with a chawl bully comes as a shock because you never perceive her as someone who can punch down people. The impactful act, though a bit bizarre, comes undone right in the next scene when she acts all petrified in front of her husband. She goes on to punch quite a few people then on, some men included, making us wonder why Lakhia isn't exploring this violent streak in her. As far as Haseena's personality goes, she is hard to decode, at least from this film.

For someone with limited range, Shraddha's effort shows but she is hardly the right cast for a character as complex as this. The film's other characters, including Dawood Ibrahim – played by Siddhanth Kapoor – are cardboard- ish, with hardly any meat to work with. The refreshing Ankur Bhatia, who plays Haseena's husband Ibrahim, is easy on the eye but the writing doesn't do justice to him.

At over 2 hours, it's an overwrought saga which aimlessly beats around the bush but gives us no real insight. Amidst the clutter of lawyers barking at each other at unusually high decibels and Shraddha's swollen face (to emphasise her age), there's little to appreciate in this one. I will go with what one of the lawyers rightly pointed out – "This is frivolous!" He was warning us about the film. Get the hint! Watch 'Haseena Parkar' Trailer.

Also see. Photos: The story of Dawood Ibrahim's sister Haseena Parkar.