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Eddie Izzard Defines Drag and Explains How He’s Like George Washington. Very little in life came easily for the British comedian and actor Eddie Izzard. When he was six, his mother died of cancer, and shortly thereafter he was sent away to boarding school. He suffered from dyslexia and had an incurable penchant for cross- dressing. After spending years struggling to make ends meet as a street performer, he began to get noticed in London’s comedy clubs and at the Edinburgh Fringe Festival. Izzard’s breakthrough in the U. S. came in the late 1.
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Eddie Izzard Personal Life
Dress to Kill comedy tour (broadcast on HBO in 1. More recently, he delivered a tour de force performance as Charlie Chaplin in Peter Bogdanovich’s Old- Hollywood mystery The Cat’s Meow, was part of the ensemble cast of Ocean’s Twelve and Ocean’s Thirteen, and starred in the FX Network original series The Riches. A documentary about his life, Believe: The Eddie Izzard Story, is out now on DVD. I met Izzard, who was looking very smart in a jacket and tie (no eyeliner), at the Downtown Standard hotel in Los Angeles. He was in town preparing to host the Independent Spirit Awards, which will be broadcast this Friday—live and unedited—on the IFC Channel. I want to talk to you about the Independent Spirit Awards, but first I just have to say: watching your documentary, Believe, made me think about how much better looking you got as you aged.
Eddie Izzard Wikipedia
So what you’re saying is that I was really ugly in a certain period of my life. No! But in the documentary, when we see you in those awful, baggy grey pants and Hawaiian shirt, I was like, Oof! I prefer the dress.
I know, I know. There are two different things, though. One is getting better looking, the other is wearing clothes that are appropriate. You basically transformed from having kind of a frat- guy kind of look to coming out in women’s clothing. Was it because you found you had better style as a transvestite than you did as a straight man? It’s actually more because, stylistically I was really fucked.
I just wore clothes and I had no self- image. As a kid, because you’re younger and you’re thinner, you just have the cute look. Then you think about what you want your look to be, and you think, Actually, I’m a transvestite! But you ignore that, so what do you do?
When my standup career was taking off, I was wearing these crap clothes—people said “My god, he’s wearing really crap clothes!” I just had no sense of anything. I had all these crazy ideas [about my act], but the idea of getting in dresses—that I really felt forced to do. When I first came out, I was talking about being a transvestite, and the critics said, “Is this just a joke?
He’s a transvestite, but he’s also a mess.” So I thought, All right, I better work on that. If you’re a bloke and you’re wearing a dress, you really better try and have a go, or else what the hell are you doing? I needed a lot of work and a lot of help in that area, and that came from other people.
Will you be in drag for the Spirit Awards? Not drag—drag means costume. What I do is just wearing a dress. But no, I’ll be in boy mode—I’ll be a superhero.
One of my favorite things explored in the documentary is your relationship with your father. It’s just so beautiful, so moving, when he talks about having to accept your children as they are, and about how your mom told him that you were wearing her clothes when you were very little. Yeah, she found that I was wearing her clothes.
But he never told me that he knew. The first time I heard it was in the documentary. How weird that is.
And all he said is that my mother found me wearing her clothes. He didn’t say what her reaction to it was.
No, he didn’t. But he wasn’t bothered. When did you tell him? I told him after a football match—a soccer match. I’d spent the whole day trying to work out how to tell him. This was when you were performing?
I’d come out six years before, but I hadn’t told my father. Some people told me, “Don’t tell your dad, it will break him.” I thought, It won’t break my dad. But I wasn’t sure.
So for six years I’d told everyone except him, and the only time we got together was for a football match—he has a season ticket and a spare ticket, so I’d go with him or my brother would go with him. I was with him and I thought, O. K., I’ll tell him today. Then I couldn’t tell him during the match—we could lose! What? We lost and you’re a transvestite? Watch Carny Online Mic here.
And I couldn’t tell him as we were leaving the match, because we were walking with loads of football fans who were up for a fight at any point; if he yelled, “You’re a transvestite?!,” everyone would pummel my head. So I said, “Why don’t we go get some chips?” So we go to this cafe. It had a sectioned- off back room with about three tables.
One was being used. We sat down and I kept thinking, I can’t tell him now, there are people right there. But then they got up and left, and I thought, Right, so say it now. Now! Before anyone else comes in.” So I told him, and he was very calm about it.
Then he went home and wrote me a letter. Watch Chronic Online Hulu. It must be somewhere. But anyway, he wrote me that he was cool with it. And that he thought my mum, if she were alive, would have been cool with it too. It was an amazing letter. I was prepared to say, “O.
K., we’ll never talk again, but I just wanted to tell you that.” I was prepared for every eventuality. I’d heard complete horror stories. People urinating on their children. When you perform, how much of it is ad- libbed? I know it’s all written and rehearsed, but. None of it is written and none of it is rehearsed. I just come up with an idea.
I go on with whatever I said last time and then I just ad- lib as much as I can in each show. So it’s all in your head? Yeah, I have a very big mental map. I’m dyslexic, and I have a very good mental map, but I have a very bad processing speed. And you’re able to perform in German and French, right? French, yes. German I will and Russian I will. But it’s the relentlessness that I really believe in.
I just won’t stop. And in a way, that’s the American spirit. Like George Washington—he wasn’t a great general. See, I’m not really great at anything, but I’ve learned to be good. You’re great at not giving up. That’s what Washington was great at.
If you study Washington, you’ll find that it wasn’t great tactics, but he wouldn’t give up and he wouldn’t back down. He wouldn’t let anyone take over for him. He’d say, “Bugger, I was given this gig and I’m not backing out of it.” That’s something about the human spirit that I really like, and it can happen to anyone. I just met Nelson Mandela at this charity thing, and I gave all my money to him—well, not to him, but to his cause.
Do you get nervous about hosting the Spirit Awards in front of actors and all those people? Well, I am an actor, so you know it’s not that.
I just want to cut loose. I don’t want to do awards ceremonies. I only do this one because it’s the Independent Spirits.
But I won’t do another one after this. This is the last.
The first and last one. So we’ll see where it goes. Is it live? It’s live. That’s the fun of it. Tell me what else is going on with you. You’re two years from turning 5. What is the next challenge?
I want to do another drama series and more dramatic films. I loved doing The Riches. You know, I didn’t go to drama school. I was doing accounting and financial management. The Riches was my film school, and it was great. I was in the deep end. With the speed we worked at, I’d have to learn three pages of dialogue in no time at all, and I’d think, This is impossible, and I would panic.
And I found that when I panicked, I wouldn’t actually learn the lines. So I realized that the best thing was to just feel the panic coming on, and don’t panic, just learn it. Well, you did a great job on that show. Ah, I loved it. I’ll do another one like that, but I’m really ready now to get my teeth into it. Something’s changed in the last year or so with my approach. With The Riches, I wanted to do the best work I’d ever done, so I was getting very technical, and sometimes I felt like I wasn’t in the moment.