Whether by choice, by laziness on the part of those on research duty, or by good old fashioned mistakes, film history is rife with historical anachronisms. Here are. · Keith Moon’s drumming is such an integral part of the songs on the original recording, but for Classic Quadrophenia you used an orchestral percussion. Forget what the snooty musoes think. Watch Fun Mom Dinner Online Movies24free more. There’s no shame in owning a shelf full of movie soundtracks. No mere compilation albums, the great ones - via their bonding.

The Who - Wikipedia. The Who. Background information. Watch Desperate Hours Online Free HD here. Also known as. The Detours. The High Numbers. Origin. London, England.

Genres. Years active. Labels. Websitethewho. Members. Past members. The Who are an English rock band that formed in 1.

Pete Townshend, Soundtrack: American Beauty. Born in Chiswick, London just ten days after the German surrender in 1945, Townshend grows up in a typical middle-class home. Raymond Andrew "Ray" Winstone (/ ˈ w ɪ n s t ən /; born 19 February 1957) is an English film and television actor. He is mostly known for his "hard man" roles.

Their classic line- up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 2.

The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto- destructive art by destroying guitars and drums on stage. Their first single as the Who, "I Can't Explain", reached the UK top ten, followed by a string of singles including "My Generation", "Substitute" and "Happy Jack". In 1. 96. 7, they performed at the Monterey Pop Festival and released the US top ten single "I Can See for Miles", while touring extensively. The group's fourth album, 1.

Tommy, included the single "Pinball Wizard" and was a critical and commercial success. Live appearances at Woodstock and the Isle of Wight Festival, along with the live album Live at Leeds, cemented their reputation as a respected rock act. With their success came increased pressure on lead songwriter and visionary Townshend, and the follow- up to Tommy, Lifehouse, was abandoned.

Songs from the project made up 1. Who's Next, which included the hit "Won't Get Fooled Again". The group released the album Quadrophenia in 1. Tommy in 1. 97. 5. They continued to tour to large audiences before semi- retiring from live performances at the end of 1.

The release of Who Are You in 1. Moon shortly after. Kenney Jones replaced Moon and the group resumed activity, releasing a film adaptation of Quadrophenia and the retrospective documentary The Kids Are Alright. After Townshend became weary of touring, the group split in 1.

The Who occasionally re- formed for live appearances such as Live Aid in 1. Quadrophenia in 1. They resumed regular touring in 1. Zak Starkey. After Entwistle's death in 2. Townshend and Daltrey continued as the Who, releasing Endless Wire in 2.

The Who's major contributions to rock music include the development of the Marshall stack, large PA systems, use of the synthesizer, Entwistle and Moon's lead playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by hard rock, punk rock and mod bands, and their songs still receive regular exposure.

History. Background. The founding members of the Who, Roger Daltrey, Pete Townshend and John Entwistle, grew up in Acton, London and went to Acton County Grammar School. Townshend's father, Cliff, played saxophone and his mother, Betty, had sung in the entertainment division of the Royal Air Force during World War II, and both supported their son's interest in rock and roll. Townshend and Entwistle became friends in their second year of Acton County, and formed a trad jazz group; Entwistle also played French horn in the Middlesex Schools' Symphony Orchestra. Both were interested in rock, and Townshend particularly admired Cliff Richard's début single, "Move It". Entwistle moved to guitar, but struggled with it due to his large fingers, and moved to bass on hearing the guitar work of Duane Eddy. He was unable to afford a bass and built one at home.

After Acton County, Townshend attended Ealing Art College, a move he later described as profoundly influential on the course of the Who. Daltrey, who was in the year above, had moved to Acton from Shepherd's Bush, a more working- class area. He had trouble fitting in at the school, and discovered gangs and rock and roll.

He was expelled at 1. In 1. 95. 9 he started the Detours, the band that was to evolve into the Who.

The band played professional gigs, such as corporate and wedding functions, and Daltrey kept a close eye on the finances as well as the music. Daltrey spotted Entwistle by chance on the street carrying a bass and recruited him into the Detours. In mid- 1. 96. 1, Entwistle suggested Townshend as a guitarist, Daltrey on lead guitar, Entwistle on bass, Harry Wilson on drums, and Colin Dawson on vocals. The band played instrumentals by the Shadows and the Ventures, and a variety of pop and trad jazz covers. Daltrey was considered the leader and, according to Townshend, "ran things the way he wanted them".

Wilson was fired in mid- 1. Doug Sandom, though he was older than the rest of the band, married, and a more proficient musician, having been playing semi- professionally for two years.

Dawson left after frequently arguing with Daltrey and after being briefly replaced by Gabby Connolly, Daltrey moved to lead vocals. Townshend, with Entwistle's encouragement, became the sole guitarist. Through Townshend's mother, the group obtained a management contract with local promoter Robert Druce, who started booking the band as a support act.

The Detours were influenced by the bands they supported, including Screaming Lord Sutch, Cliff Bennett and the Rebel Rousers, Shane Fenton and the Fentones, and Johnny Kidd and the Pirates. The Detours were particularly interested in the Pirates as they also only had one guitarist, Mick Green, who inspired Townshend to combine rhythm and lead guitar in his style. Entwistle's bass became more of a lead instrument, playing melodies. In February 1. 96. Detours became aware of the group Johnny Devlin and the Detours and changed their name. Townshend and his roommate Richard Barnes spent a night considering names, focusing on a theme of joke announcements, including "No One" and "the Group". Townshend preferred "the Hair", and Barnes liked "the Who" because it "had a pop punch".

Daltrey chose "the Who" the next morning. Early career. By the time the Detours had become the Who, they had already found regular gigs, including at the Oldfield Hotel in Greenford, the White Hart Hotel in Acton, the Goldhawk Social Club in Shepherd's Bush, and the Notre Dame Hall in Leicester Square. They had also replaced Druce as manager with Helmut Gorden, with whom they secured an audition with Chris Parmeinter for Fontana Records. Parmeinter found problems with the drumming and, according to Sandom, Townshend immediately turned on him and threatened to fire him if his playing did not immediately improve. Sandom left in disgust, but was persuaded to lend his kit to any potential stand- ins or replacements.

Sandom and Townshend did not speak to each other again for 1. During a gig with a stand- in drummer in late April at the Oldfield, the band first met Keith Moon. Moon grew up in Wembley, and had been drumming in bands since 1. He was performing with a semi- professional band called the Beachcombers, and wanted to play full- time. Moon played a few songs with the group, breaking a bass drum pedal and tearing a drum skin. The band were impressed with his energy and enthusiasm, and offered him the job. Moon performed with the Beachcombers a few more times, but dates clashed and he chose to devote himself to the Who.

The Beachcombers auditioned Sandom, but were unimpressed and did not ask him to join. The Who changed managers to Peter Meaden.

He decided that the group would be ideal to represent the growing mod movement in Britain which involved fashion, scooters and music genres such as rhythm and blues, soul and beat. He renamed the group the High Numbers, dressed them up in mod clothes,[2. Watch Sunset Song Online Iflix. Fontana and wrote the lyrics for both sides of their single "Zoot Suit"/"I'm the Face" to appeal to mods.

The tune for "Zoot Suit" was "Misery" by the Dynamics,[2. I'm the Face" borrowed from Slim Harpo's "I Got Love If You Want It". Although Meaden tried to promote the single, it failed to reach the top 5.