Clark Gable - Wikipedia. William Clark Gable (February 1, 1. November 1. 6, 1.

American film actor and military officer, often referred to as "The King of Hollywood" or just simply as "The King".[1] Gable began his career as a stage actor and appeared as an extra in silent films between 1. Metro- Goldwyn- Mayer in 1. The next year, he landed his first leading Hollywood role and over the next three decades he became a leading man in more than 6. Gable won an Academy Award for Best Actor for It Happened One Night (1. Mutiny on the Bounty (1. Rhett Butler in the epic Civil War drama Gone with the Wind (1.

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Gable also found success commercially and critically with films such as Red Dust (1. Manhattan Melodrama (1.

San Francisco (1. Saratoga (1. 93. 7) Boom Town (1. The Hucksters (1. Homecoming (1. 94. The Misfits (1. 96. Gable appeared opposite some of the most popular actresses of the time.

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Joan Crawford was his favorite actress to work with,[4] and she was partnered with Gable in eight films. Myrna Loy worked with him seven times, and he was paired with Jean Harlow in six productions. He also starred with Lana Turner in four features, and with Norma Shearer and Ava Gardner in three each. Gable's final film, The Misfits (1. Marilyn Monroe (also in her last completed screen appearance[a]). Gable is considered one of the most consistent box- office performers in history, appearing on Quigley Publishing's annual Top Ten Money Making Stars Poll 1. He was named the seventh- greatest male star of classic American cinema by the American Film Institute.[2]Life and career[edit]Early life[edit]William Clark Gable was born in Cadiz, Ohio, to William Henry "Will" Gable (1.

Adeline (née Hershelman; 1. His father was a Protestant and his mother a Roman Catholic. Gable was named William after his father, but even in childhood, he was almost always called Clark or sometimes Billy.[7][8] He was mistakenly listed as a female on his birth certificate.[4] Among Gable's ancestors were Pennsylvania Dutch (German), Belgians, Rhinelanders, and Bavarians.[4][9][1. When Gable was six months old, he was baptized at a Roman Catholic church in Dennison, Ohio. His mother died when he was ten months old, possibly from a brain tumor, although the official cause of death was given as an epileptic fit.[4] William Gable refused to raise his son Catholic, which provoked criticism from the Hershelman family. The dispute was resolved when Will Gable agreed to allow his son to spend time with his maternal uncle, Charles Hershelman, and his wife on their farm in Vernon Township, Pennsylvania.[1.

In April 1. 90. 3, Gable's father married Jennie Dunlap (1. Hopedale.[1. 3] The marriage produced no children. Gable was a tall, shy child with a loud voice. His stepmother raised him to be well- dressed and well- groomed. Jennie played the piano and gave her stepson lessons at home.[1. Later he took up brass instruments. At 1. 3, he was the only boy in the men's town band.

He was very mechanically inclined and loved to strip down and repair cars with his father. Although his father insisted on Gable doing "manly" things, like hunting and hard physical work, Gable loved language. Among trusted company, he would recite Shakespeare, particularly the sonnets.[1. Will Gable agreed to buy a 7.

The World's Greatest Literature to improve his son's education, but claimed he never saw his son use it.[1. In 1. 91. 7, when Gable was in high school, his father had financial difficulties. Will decided to settle his debts and try his hand at farming, and the family moved to Ravenna, Ohio, near Akron. Despite his father's insistence that he work the farm, Gable soon left to work in Akron for the Firestone Tire and Rubber Company.[citation needed]Early career[edit]At 1. Clark Gable was inspired to be an actor after seeing the play The Bird of Paradise, but he was not able to make a real start until he turned 2. By then, his stepmother had died, and his father moved to Tulsa, Oklahoma to go back to the oil business.[1. Gable toured in stock companies, as well as working the oil fields and as a horse manager.

He found work with several second- class theater companies, thus making his way across the Midwest to Seaside, Oregon, working as a logger, and to Portland, Oregon, where he worked as a necktie salesman in the Meier & Frank department store.[1. In Portland, he met Laura Hope Crews, a stage and film actress, who encouraged him to return to the stage with another theater company.[1. Twenty years later, Crews played Aunt Pittypat alongside Gable's Rhett Butler in Gone With the Wind (1. Gable's acting coach, Josephine Dillon — a theater manager in Portland – was 1.

She paid to have his teeth repaired and his hair styled. She guided him in building up his chronically undernourished body, and taught him better body control and posture. She spent considerable time training his naturally high- pitched voice, which he slowly managed to lower, to gain better resonance and tone.

As his speech habits improved, his facial expressions became more natural and convincing. After a long period of training, Dillon considered him ready to attempt a film career.[1. Stage and silent films[edit]In 1. Dillon's financing, they went to Hollywood, where she became Gable's manager and first wife.[1. He changed his stage name from W. C. Gable to Clark Gable.[2.

He found work as an extra in such silent films as Erich von Stroheim's The Merry Widow (1. The Plastic Age (1. Clara Bow, Forbidden Paradise (1. Pola Negri, plus a series of two- reel comedies called The Pacemakers. He appeared as an extra in Fox's The Johnstown Flood (1.

Seventeen- year- old Carole Lombard, later his third wife, also appeared as an extra in that film, although they were not in the same scene. He also appeared as a bit player in a series of shorts.[2. However, he was not offered any major film roles, so he returned to the stage. He became lifelong friends with Lionel Barrymore, who, despite initially bawling Gable out for what he deemed amateurish acting, urged him to pursue a career on stage.[2. During the 1. 92.

Laskin Brothers Stock Company in Houston, Texas, where he played many roles, gained considerable experience, and became a local matinee idol.[1. He then moved to New York City, and Dillon sought work for him on Broadway. He received good reviews in Machinal (1. He's young, vigorous and brutally masculine", wrote the critic at The Morning Telegraph.[2. The start of talking pictures and the beginning of the Great Depression caused cancellation of many plays in the 1. Early success and rising star[edit].

Mary Astor and Clark Gable in Red Dust, 1. In 1. 93. 0, after his impressive appearance as the seething and desperate character Killer Mears in the Los Angeles stage production of The Last Mile, Gable was offered a contract with Metro- Goldwyn- Mayer. His first role in a sound picture was as the unshaven villain in a low- budget William Boyd. Western called The Painted Desert (1. He received a lot of fan mail as a result of his powerful voice and appearance; the studio took notice.[citation needed]In 1. Gable and Josephine Dillon were divorced. A few days later, he married Texas socialite Maria Franklin Prentiss Lucas Langham, nicknamed "Rhea".

After moving to California, they were married again in 1. His ears are too big and he looks like an ape", said executive Darryl F. Zanuck, then at Warner Bros., about Gable after testing him for the lead in the studio's gangster drama. Little Caesar (1. The same year, in Night Nurse, Gable played a villainous chauffeur who was gradually starving two adorable little girls to death, then knocked Barbara Stanwyck's character unconscious with his fist, a supporting role originally slated for James Cagney until the release of The Public Enemy abruptly made Cagney a leading man.

After several failed screen tests for Barrymore and Zanuck, Gable was signed in 1. MGM's Irving Thalberg. He became a client of well- connected agent Minna Wallis, sister of producer Hal Wallis and a very close friend of Norma Shearer.

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Genre : Comedy. Release Date : 1. October 2. 01. 7Language : French. Country : France. Sinopsys : Les Nouvelles Aventures de Cendrillon. What a wonderful surprise! It was delicious ! A splendid cast, replicas that make flies, a princess of modern times, all that we love! My children were also delighted. The perfect afternoon in family! Congratulations, run! It’s Julie’s birthday, but she seems to be the only one to remember … Until Marco, the man she secretly loves, calls him and tells him that he’s going to she to drop his son because the babysitter had a setback. Julie is collapsed, everyone sees her as a boniche. Only with this little boy, particularly odious, Julie decides to tell him the story of Cinderella … almost. After Aladin, it is Les Nouvelles Aventures de Cendrillon to move to the mill of the replay shifted. Written by the same swindler, the two feature films are part of a kind of extended universe aimed at reworking the famous fairy tales from a modern- offset angle. This time, no Kev Adams on the program (thank goodness is already that), Les Nouvelles Aventures de Cendrillon propels Marilou Berry to the front of the stage, surrounded by his mother Josiane Balasko, but also by Arnaud Ducret , Vincent Desagnat, Didier Bourdon and Jérôme Commandeur. A fine team supposed to give life to a delirium capable of everything, for the worst and for the worse. For it is not going to lie, there is no need to make sandwiches to explain how the film of Lionel Steketee (co- director of Case D e.

Part and Crocodile Botswanga with Fabrice Eboué) is a culmination purge on 1. Aiming clearly the same audience who had rushed to reread. Aladdin’s New Adventureswith Kev the disheveled, this comic- djeun’s re- reading of the popular tale plays the same card as his elder, between humor well balanced, absurd spirit and anachronistic gags. If we can be tempted to sketch 2- 3 smiles at the turn of a few jokes that work, the whole remains of an afflicting stupidity, plastered with the delicacy of an XL menu at Flunch. After the MCU of Marvel and the DCU of its competitor DC Comics, the French comedy tries to impose the GCU, translation of “Grotesque Cimenatic Universe”. This is only the beginning, and we can already no longer see our childhood ruined by this kind of nonsense for flat encephalograms. Out of pity, a little dignity! A beautiful casting, big names and finally the void intersidereal. It’s bad, very bad. Sometimes I wonder if they did that for the check. Whether Didier Bourdon, Arnaud Ducret or Jérôme Commandeur, they are totally free- wheeling. It remains Marylou Berry and her mother, Josiane Balasko, to save the film Les Nouvelles Aventures de Cendrillon from the ultimate turnip.  Screenshots .